
Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb

Foto: Gabriela Neeb
What if racism is suddenly sitting in your living room?
They are stuck in the provinces and want to leave. They can’t live with or without each other. They eye each other and tear each other apart. Their boredom, envy and money worries feed their prejudices. Until their aggression is unleashed on Jorgos, who came to Bavaria from Greece as a guest worker. In “Katzelmacher”, Fassbinder portrayed the social and cultural struggles of a suburban neighborhood in Bavaria at the end of the 1960s.
In his productions, Emre Akal creates associative artificial worlds together with the artist duo Mehmet & Kazim, in which analog and digital means blur into an illusion of their own. He also places “Katzelmacher” in such a nightmarish setting and traces the mechanisms of a disparate and racist society and its revenants in the present and future.
People who feel humiliated humiliate others in order to elevate themselves - what happens when this dynamic takes on a life of its own and penetrates through supposedly protective walls into the common spaces, into the most private rooms?
With Fassbinder’s “Katzelmacher” behind him and with a specially written epilogue, Emre Akal takes a hesitant look at our current society.
In his productions, Emre Akal creates associative artificial worlds together with the artist duo Mehmet & Kazim, in which analog and digital means blur into an illusion of their own. He also places “Katzelmacher” in such a nightmarish setting and traces the mechanisms of a disparate and racist society and its revenants in the present and future.
People who feel humiliated humiliate others in order to elevate themselves - what happens when this dynamic takes on a life of its own and penetrates through supposedly protective walls into the common spaces, into the most private rooms?
With Fassbinder’s “Katzelmacher” behind him and with a specially written epilogue, Emre Akal takes a hesitant look at our current society.
“The fact that the themes of ‘Katzelmacher’ are so timeless shows how important it is to keep renegotiating them. Every generation is confronted with its own versions of these social struggles. The question is: are we capable of creating something new with old tools?”
- Emre Akal, director
With Edmund Telgenkämper, Stefan Merki, Nadège Meta Kanku, Annika Neugart, Annette Paulmann, Leoni Schulz, Anja Signitzer
Directed by Emre Akal
Stage design & video animation Mehmet & Kazim Akal
Costumes Lara Roßwag
Musical direction, composition & sound design Enik
Lighting Design Wolfgang Eibert
Dramaturgy Hannah Baumann
Dramaturgy Preparation Anna Laner
Artistic Production Management Daniela Schroll
Technical Production Management Adrian Bette, Jonas Pim Simon
Sound Katharina Zorn, Ulrich Treutwein
Video Ikenna David Okegwo
Stage Master Marcel Homack
Assistant to the Director Constanze Nogueira Negwer
Stage Design Assistant Katharina Quandt
Costume Design Assistant Jacqueline Elaine Koch
Stage Manager Hanno Nehring
Prompter Daphne Chatzopoulos
Stage Design Intern Pia Frank
Costume Design Intern Lio Paltinger, Magdalena Eggeringhaus
Dramaturgy Intern Jonathan Frisch
Stage Management Intern Anran Xu
Surtitels Yvonne Griesel (SPRACHSPIEL)
Stage Machinery Florian Obermeier, Stephan Preusser
Signal box Michael Pohorsky
Lighting Tankred Friedrich, Sebastien Lachenmaier, Felix Adams, Yongwoo Kwon
Make Up Sofie Reindl-Grüger, Mai Strathmann, Raimund Richar-Vetter
Mask making cat heads Raimund Richar-Vetter, Sofie Reindl-Grüger
Costume Pavla Engelhardtova, Angelika Stingl, Nico Vanni, Jessica Watermann
Props Manuel Kößler, Daniel Bittner
Carpentry Stefan Klodt-Bussmann, Josef Piechatzek, Josef Friesl, Michael Buhl, Clemens Künneth, Hannes Zippert, Tobias Holland
Metalworker Friedrich Würzhuber, Jürgen Goudenhooft, Andreas Bacher
Decoration Tim Hagemeyer, Lisann Öttl, Anja Gebauer, Maria Hörger, Tobias Herzog
Scenic Painting Evi Eschenbach, Jeanette Raue, Jasmin Budde
Stage Sculpture Maximilian Biek